Catégorie : dessin

  • LSCDC Iight sweet cold dark crude (2006-2014)

    LSCDC
    À la maison Fontaine (raumlabor architectes)
    Esplanade Clark, Montréal, 2014.
    Cover photo : Catherine Béliveau

    LSCDC (light, sweet, cold, dark, crude)
    Cycle of microevents, performative installation
    (2006-2014)

    Process-oriented and informal in nature, the research and production of this work with immersive sound, moving image, drawing and light is informed by the realities of “gray waters” in various states of composition, decomposition and recomposition. The source material originates in the « Eco Machines » system, pioneered by biologist and ecologist Dr. John Todd situated situated at the rest area of Sharon, Vermont and the Station d’épuration des eaux usées, an industrial system for the city of Montreal. The project is extended with images and sounds from the deserts of southwestern USA.

    The project  finds its inspiration in the concept of the transduction as defined by French philosopher Gilbert Simondon (1928-1989), by which nature, information and technology co-evolve. The series was initially performed in an intimate setting, disrupting the greek root of the word ecology, eikos, which means « house ».

    Credits
    Text excerpts _Gilbert Simondon
    Production
    Catherine Béliveau _additional camera, EcoMachines, Sharon, Vermont and production assistance, Fountain House production assistance and documentation
    Sophie Bellissent _initial production and research assistance
    Roberto Di Giacomantonio _zafuton design and production
    Nate Fredericks _bench flow data, Sharon, Vermont
    Marc Lavallée _PureData DMX Varichrome LED programming
    Florian Grond _MAX-MSP algorithmic ambisonic panner programming
    Pier Lefebvre _projection apparatus
    Jacques Perron _additional camera and documentation, Station d’épuration des eaux usées, Montréal
    Jean-Marc Ratté, Sophie Voyer _Station d’épuration des eaux usées, Montréal
    Shot on location at 
EcoMachines, Sharon, Vermont; Joshua Tree National Park, California; Station d’épuration des eaux usées, Montréal; 
Grand Canyon and Glen Canyon, Arizona.

    Presentation
 at Flevoland, Thinking with Water conference
    JacquesPerron _documentation
    Simon Rolland _production assistance
    Sophie Bellissent, Nadia Seboussi _assistance

    Equipment and software support from Hexagram-UQAM and Sennheiser Canada.

    Presentations (in reverse chronological order)
    Fountain House
 Esplanade Clark, Montréal, Oct 9-10-11, 2014
    in collaboration with raumlabor (Berlin) and Goethe-Institut Montreal, Biennale de Montréal
    EcoSapiens Residency, Fernery Room, Pukekura Park, Botanical Garden, New Plymouth, New Zealand
 Jan 2011
    Thinking With Water Conference, Concordia University, Montreal, June 21 2010
    Festival Temps d’Images
Usine C, Montréal, 19-20-21 février 2009
    Deep North, transmediale
Haus der Kulturen der Welt, 
Berlin, Germany Jan 2009
    Flevoland
 Montréal
 June 9, June 28, Aug 8 2008

    Produced with the financial assistance of the Canada Council for the Arts, Media Arts 
and PAFARC-UQAM (Programme d’aide financière à la recherche et à la création de l’Université du Québec à Montréal).

    LSCDC à la maison Fontaine, octobre 2014, Montréal. Coproduction Goethe-Institut. Photo : Catherine Béliveau.

    LSCDC à la maison Fontaine, octobre 2014, Montréal. Coproduction Goethe-Institut. Photo : Catherine Béliveau.

    LSCDC au Pukekura Botanical Garden, New Plymouth, New Zealand, jan 2011. Photo : Keith Armstrong.

    LSCDC au Pukekura Botanical Garden, New Plymouth, New Zealand, jan 2011. Photo : Keith Armstrong.

    LSCDC au Pukekura Botanical Garden, New Plymouth, New Zealand, jan 2011. Photo : Keith Armstrong.

    LSCDC au Festival Temps d’Images, Usine C, Montréal, février 2009. Photo : Jacques Perron.

    LSCDC au Festival Temps d’Images, Usine C, Montréal, février 2009. Photo : Jacques Perron.

    LSCDC au Festival Temps d’Images, Usine C, Montréal, février 2009. Photo : Jacques Perron.

    LSCDC à Deep North, Transmediale, Haus der Kulturen der Welt, Berlin, Allemagne, 2009. Photo : Jonathan Gröeger.

    LSCDC à Flevoland, Montréal, 2008. Photo : Jacques Perron.

    LSCDC à Flevoland, Montréal, 2008. Photo : Jacques Perron.

    Stéphane Claude et Catherine Béliveau au Eco-Machines, Sharon North Welcome Centre, Vermont, 2007.

    Eco-Machines, Sharon North Welcome Centre, Vermont, 2007.

    À la Station d’épuration des eaux usées, Montréal, 2008. Photo : Jacques Perron.

    À la Station d’épuration des eaux usées, Montréal, 2008. Photo : Jacques Perron.

  • milieux associés (2014)

    Permutational performative installation & night projection

    May 5-22, 2014
    cover photo : Lorna Bauer

    Milieux associés is a permutational and performative installation linking art, technology and residual matter. The installation and performances engage the public through a variety of physical environments distributed in zones. Consisting of video, a swirling membrane, proximity and movement sensors, digital drawing, tactile and immersive sound, it also spills out onto the street at night as an evening projection on the windows of the Phi Centre seen from Saint Paul Street. The work explores the relationship of humans to hidden and neglected materialities that still hold capacity for transformation.

    Curated by Cheryl Sim
    Presented at the Phi Centre
    The installation will be on view Monday to Saturday,
 noon – 6 PM
    Projections will be viewable from the street Monday to Saturday, 9 PM – midnight
    Performances will take place Thursday to Saturday between 3-4 PM
    Exhibition opening, May 3, 3 PM
    Free admission
    This is a co-presentation of DHC/ART, Ælab, Grupmuv, Phi Centre and BIAN, as part of the International Digital Arts Biennial.
    Funding: Fonds québécois de recherche sur la société et la culture (FRQSC)

    Credits
    Sensors and programming: Jim Bell / Technical Director: Jason Pomrenski / Production assistants: Johannie Séguin, Simon Rolland, Matthieu Gagnon Lamarre, Natalie Lafortune / Technical support: Hexagram-UQAM, Laboratoire nouveaux médias OBORO / Financial support: Fonds de recherche québécois sur la société et la culture (FRQSC)

    Thank you
    Cheryl Sim, Phoebe Greenberg, Phi Center, Brian Massumi, Jimmy Lakatos, Laurent Lamarche, Yan Breuleux, Grupmuv, BFI-Lachenaie, Martin Pelletier, Andrea-Jane Cornell, Anne-Françoise Jacques, Daniel Courville, Philippe-Aubert Gauthier.

    
http://bianmontreal.ca/en/artists/aelab
    
http://dhc-art.org/aelab-milieux-associes/

    Photos : Léa Trudel et Lorna Bauer

    Sub-matter
    May 10 2014
    Curated and presented by Florian Wüst (Berlin)

    A special event presented as part of Ælab’s exhibition Milieux Associés.

    Through a selection of experimental, documentary and industrial short films, film excerpts, audio pieces, and fragments of text, Florian Wüst will reflect on processes of transformation in relation to residue and waste, energy and subsistence.

    Photo : Gisèle Trudel

  • in/fluencing (2005)

    Permutational media installation
    with 4 sensors : 
light, temperature, frequency of movement, proximity

    “Even matter called inorganic, believed to be dead, responds to irritants and gives unmistakable evidence of a living principle within. Everything that exists, organic or inorganic, animated or inert, is susceptible to stimulus from the outside.” – Nikola Tesla

    Originating in visual research* from the project DATA, this installation investigates the translation of magnetic phenomena of image visualisation at nano and micro levels.
The intuitive understanding that Tesla had of the potential of zero point energy, the idea of taping into the ambiant medium as a source of energy which is self-regulated and self-sustained, is initially evoked through a cantilever tip (as used by the AFM — Atomic Force Microscope), a point of contact unto a micro flowing surface, a never-ending exchange of magnetic/voltage coordinates.
The invisible becomes readable as the « needle » meets the random deviations of matter.

    With the collaboration of
    Carey Dodge _MAX/MSP programming
    Mathieu St-Arnaud _MAX/Jitter programming
    Andrew Watson _MAX/sensor programming
    Roméo Gongora _production assistance
    Christian Miron _sensor display design

    *Micro/nano imagery produced in a previous project/residency at the Nanolab, Chemistry Departement, McGill University, with Dr. Vicki Meli and Dr. Bruce Lennox, with financial assistance from the Daniel Langlois Foundation for art, science and technology.

    Produced specifically for
    Resonance. The Electromagnetic Bodies Project.
    Curated by Nina Czegledy and Louise Provencher
    European tour: July 2005_September 2006

    OBORO (Canada)
    ZKM (Germany)
    Conde Duque Medialab (Spain)
    TENT _V2 (Holland)
    Ludwig Museum (Hungary)
    Maison européenne de la photographie (France)

    Produced with the financial assistance of PAFARC-UQAM (Programme d’aide financière à la recherche et à la création de l’Université du Québec à Montréal)