Catégorie : nano

  • in/fluencing (2005)

    Permutational media installation
    with 4 sensors : 
light, temperature, frequency of movement, proximity

    “Even matter called inorganic, believed to be dead, responds to irritants and gives unmistakable evidence of a living principle within. Everything that exists, organic or inorganic, animated or inert, is susceptible to stimulus from the outside.” – Nikola Tesla

    Originating in visual research* from the project DATA, this installation investigates the translation of magnetic phenomena of image visualisation at nano and micro levels.
The intuitive understanding that Tesla had of the potential of zero point energy, the idea of taping into the ambiant medium as a source of energy which is self-regulated and self-sustained, is initially evoked through a cantilever tip (as used by the AFM — Atomic Force Microscope), a point of contact unto a micro flowing surface, a never-ending exchange of magnetic/voltage coordinates.
The invisible becomes readable as the « needle » meets the random deviations of matter.

    With the collaboration of
    Carey Dodge _MAX/MSP programming
    Mathieu St-Arnaud _MAX/Jitter programming
    Andrew Watson _MAX/sensor programming
    Roméo Gongora _production assistance
    Christian Miron _sensor display design

    *Micro/nano imagery produced in a previous project/residency at the Nanolab, Chemistry Departement, McGill University, with Dr. Vicki Meli and Dr. Bruce Lennox, with financial assistance from the Daniel Langlois Foundation for art, science and technology.

    Produced specifically for
    Resonance. The Electromagnetic Bodies Project.
    Curated by Nina Czegledy and Louise Provencher
    European tour: July 2005_September 2006

    OBORO (Canada)
    ZKM (Germany)
    Conde Duque Medialab (Spain)
    TENT _V2 (Holland)
    Ludwig Museum (Hungary)
    Maison européenne de la photographie (France)

    Produced with the financial assistance of PAFARC-UQAM (Programme d’aide financière à la recherche et à la création de l’Université du Québec à Montréal)

  • data (2003-2009)

    Photo cover : Paul Litherland

    media installations

    DATA is research on the “forces” of the image at different scales of perception, produced through an artist residency with  Dr. Vicki Meli at the Nanolab of McGill University’s Chemistry Department (Dr. Bruce Lennox, Chair and Director).

    A relationship blossomed over the 8-month period (July 2003-Feb 2004) with both scientists, which led us to discuss issues around imaging, education, ethics, ecology, and the relationship between art and science.

    We were able to work with various digital micro and nano imaging technologies, the SEM (Scanning Electron Microscope), the AFM (Atomic Force Microscope) and the STM (Scanning Tunneling Microscope), view physical samples and subsequently record them as 2D files, 3D mappings of surfaces and live video output.

    Funding from The Daniel Langlois Foundation for art, science and technology.

    Presentation venues
    National Gallery of Sofia, Bulgaria Sept-Oct 2003, group exhibition Radical:Vaguely, Rossitza Daskalova, curator.
    Solo exhibition, Saidye Bronfman Centre for the Arts, curated by Sylvie Gilbert, Dec 2004-Jan 2005.
    DATA, video, Gala evening, ACFAS, Salle Pierre-Mercure, Montréal, 10 May 2004
    DATA: Transfers, oeuvre Web, Horizon Zéro, numéro 14 RÊVER, Banff new media institute, Banff 24 April 2004
    InterAccess, group exhibition SCALE, curated by Camille Turner, June 2006.
 Presented by Subtle Technologies 2006
    Millenium Museum, group exhibition INSIDE, curated by Sylvie Parent, Beijing, China, July 2006.
 Presented by Groupe Molior
    Maison des artistes, Winnipeg, Manitoba. Groupe exhibition REGARDS curated by Kevin Kelly, March-May 2007
    Paço das Artes, group exhibition INSIDE, curated by Sylvie Parent, Sao Paulo, Brazil, May-July 2008.
 Presented by Groupe Molior
    Exposition collective, Le 25e printemps d’OBORO, 18 avril – 2 mai 2009

    Solo exhibition, Saidye Bronfman Centre for the Arts, curated by Sylvie Gilbert, Dec 2004-Jan 2005. Photos : Paul Litherland.

    National Gallery of Sofia, Bulgaria Sept-Oct 2003, group exhibition Radical:Vaguely, Rossitza Daskalova, curator

  • hex_nanospace (2001)

    hex at Het Wilde Weten, Rotterdam, The Netherlands. Photo : Gisèle Trudel

    hex _ nanospace
    2001
    media installation and audio-video performance

    Hex is an multichannel audiovideo installation initiated during winter 2001 during a residency at Het Wilde Weten in Rotterdam. The installation is comprised of six (6) projection screens (1.5m x 3m each) made of fabric and resin modelled from low-reliefs, with three synchronized video programs and 5.1 surround sound.

    Nanospace is a live version of Hex (two soft-sync video channels mixed live and audio performance).
    Hex and Nanospace find their sources in minimalist design and the fascinating new imagery of nanotechnology.

    The two experimental works postulate that it is in the observation of nature that lie the technological solutions (recycling, bionics, green architecture, sustainable design) to  environmental problems.

    The works draw on the shape of the hexagon, utilized as a symbol as well as a structural system… a type of imminent trajectory of matter in transformation, and the ensuing imperceptible changes: from the molecular reality of carbon to a global planetary view.

    Presentation venues

    HEX
    Het Wilde Weten, Rotterdam, The Netherlands, 2001

    Nanospace
    Mutek, Montreal, 2001

    Funding by Le Conseil des arts et des lettres du Québec.

    Nanospace photos, AElab in rehearsal at Mutek (Ex-centris, Montréal) : LA Lauzière